Thursday, January 30, 2020

Greek mythological poem Essay Example for Free

Greek mythological poem Essay Subject: the poem is a Greek mythological poem about King Midas of Phrygia who had his wish granted everything he touches turns into gold. The poem is about the consequences of choosing money and greed which is presented to the readers through the wifes perspective. Duffy presents a wide range of emotions through Mrs. Midass persona. Mrs. Midas complains about his husbands selfishness and greed. Duffy gives a voice to women unheard in history. Duffy takes a historical character and translates them into present day. Mrs. Midas turns the noble king Phrygia into a pathetic greed middle-aged man.  The mood changes as the poem proceeds, reaching its peak of fear in the fifth to eleventh stanza then calmly comes down as Midas draws close to death. The language the character uses informs the reader about the mood of the poem. In the second and third of the first stanza Midas uses personified the kitchen as its steamy breath gently blanching the windows. This sets the calm relaxing atmosphere of the poem before the crisis. The poem is calm because Mrs. Midas uses smoothly and well-skilled sentences. The intonation changes suddenly, the sentences become short and factual lexis is used. For example in the fifth stanza Mr. Midas said I moved the phone. Mrs. Midas does this to make the situation seem more urgent chaotic and panicky. Short sentences are used in this poem to speed p the narration as the chaos happens in the poem. After the crisis is over, she reverts to her earlier relaxing mood. For example she said in last stanza Mrs. Midas said I miss most, even now, his warm hands on my skin, his touch. The language of the poem used by Mrs. Midas is elevated register. She uses descriptive lexis in the poem. This will be described further in the analysis.  The poem is a universal, therefore everyone can read it. The poem is moral lesson. For example in the sixth stanza Mrs. Midas said it feeds no one talking about gold. The moral lesson Duffy tries to teach us is money is a means to an end not an end, meaning money can be used to pay food to feed a person but it cant physically feed a person. Money is not a solution to everything as she addresses the middle class who adore money. The class backgrounds of the characters are middle-classes as they drink Italian wine. Wealth is trivial if not used to solve problems like in this poem. Mrs. Midas uses adverbs such gently to emphasis how calm and relaxed she was before the crisis.  In the first stanza Mrs. Midas uses personification, for instance she said the ground seems to drink the light of the sky. The dynamic verb drink personifies the ground as a human. The quote means the day changes to night. Mrs. Midas uses symbolism in the poem; rich symbolizes gold referring to Midas having to spit out the golden corn out of his mouth. Another symbolism used in the poem is work of art which symbolizes a statue which her husband would turn her into like he touches her. What is Liberal Democracy? Liberal Democracy is an indirect and representative form of democracy whereby the right to rule is gained through success in competitive elections on the basis of political equality. In a liberal Democratic state the people are protected by individual rights such as the civil rights in America and a constitutional government which based on rules set out in a codified constitution like in the US constitution.  Mrs. Midas uses metaphors through out the poem. For example, Mrs. Midas said turning the spare room into the tomb of Tutankhamun. Her husband is turning his room into gold, mythological compared to the Egyptian pharaohs tombs which were dressed with gold. What is Democracy?  Democracy is rule by the people. This is reflected in the idea of government by the people therefore key political decisions are made by the people. Democracy reflects the idea of equal citizenship whereby each citizen has the right to influence political decisions. For example, in February 2003 one and a half million citizens took to the streets of London. They are protesting against UKs involvement in the Iraq war. This reflects people power to influence political decisions. England is an example of a democratic state while North Korea is an example of an undemocratic state. Duffy uses a simile to make an internal rhyme its amber eyes /holding their pupils like flies. This intensifies the interior personal life of the woman. Another internal rhyme dream/streaming is used to suggest that she will have a solitary life.  Duffy uses repetition in the poem. For example in the sixth stanza Mrs. Midas said have wishes; granted. But who has wished granted? Duffy uses clever wordplay the first phrase is used as to notice that Midas has his wish granted and the second is turned into a question by using the past verb granted. Duffy does this to achieve a verbal humour. Define Representative democracy  Representative democracy is a limited and indirect form of democracy whereby the representatives act and speak on behalf of the people. The representatives can be chosen and removed by the public through elections. In a representative democratic state popular participation in government is limited and indirect to the act of voting very few years for a representative to represent them. There are uses of rhetoric in the poem. For example in the last stanza Mrs. Midas uses a repair his hands, his warm hands. Duffy uses repair to make Mrs. Midas character seem more realistic.  The poem is made up of eleven sestet stanzas. Most of the stanza are arranged perfectly to form a stanza. However in the in the fifth stanza the lines are merely joined together to make a stanza they are separated.

Wednesday, January 22, 2020

Iago’s Scheming in Shakespeares Othello Essay -- Othello essays

Iago’s Scheming in Othello  Ã‚   Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs Shakespeare's Othello. In the opening scene, Iago provokes Brabantio against Othello by means of his pawn, Roderigo, and constantly stages the scene, ensuring that everything goes according to his plan. Iago realizes that Brabantio is very susceptible to attacks on his daughter; Iago uses Roderigo as a dummy, through whom he makes such antagonizing claims: "An old black ram / is tupping your white ewe" and "your daughter and the Moor are now / making the beast with two backs" (1.1.90, 121). By inflaming Brabantio's protective nature as a father, Iago directs Brabantio's wrath towards Othello while using Roderigo as a front. Iago successfully bends an unwitting Brabantio to the common goal of destroying Othello. The climax of Iago's power occurs during Iago's successful attempts to convince Othello - against the poor Moor's better judgment - that Desdemona fails to be loyal and that Othello differs too greatly from his fellow citizens to be a part of the Venetianworld. Iago craftily inflames Othel... ... that Iago felt compelled to engineer to perfection and totality; and once Iago's plan falls short of his mark, his pawns grow out of his control and finally expose his dark scheming. Fragility permeates Iago's liminal existence and, as shown, he has to be omnipresent in order to execute and oversee every aspect of his plan. His ambition leads to his downfall; modest desires for revenge blossom into extravagant and uncontrollable machinations which necessitate the deaths of all those involved. Iago finds it impossible to manipulate everyone at every moment, and for this sole reason, fails to bring his plan into full fruition. Work Cited William Shakespeare, The Tragedy of Othello, The Moor of Venice (from Literature: An Introduction to Fiction, Poetry, and Drama, sixth edition. Ed. X.J. Kennedy and Dana Gioia. New York: Harper Collins, 1995.      

Tuesday, January 14, 2020

Five Important Nataraja Shrines of Tamil Nadu Essay

There are lots of temples in Tamil Nadu where Siva is worshipped as Nataraja. Lord Siva, as the god of dance is known as Nataraja. There are lots of temples in India and especially in Tamil Nadu where Siva is worshipped as Nataraja. But, there are mainly five places in Tamil Nadu where the cult of Nataraja is worshipped with gaiety and pomp. The dancing deity Nataraja can be seen in these Pancha sabbas or five halls of Tamil Nadu. The five temples – Chidhambaram, Maduarai, Thiruvilankadu, Tirunelveli and Kutralam, are very revered and is known as the five sabhas. It is said Lord Shiva has danced at these five places as Nataraja – the dancing form of Shiva, to benefit different devotees. Kanaka Sabha: The most important shrine for Nataraja is the Kanaka Sabha or golden hall at Chidambaram. The Nataraja dances here in the Ananda Tandava or the dance of bliss form and he is called Kanaka Sabhapati or the Lord of the Golden Hall. This temple has been sung in a lot of Dhevaram and Thiruvasakam. Here Lord Shiva is worshipped in all the three forms, namely, arupa – which is called chitambara rahasyam, aruparupa – shiva lingam and rupa – nataraja. Nataraja was the favourite deity of the Chola kings of Tanjavur and hence they kept idol of Nataraja in all the Siva temples built by them in various places in their empire in Tamil Nadu and all over in South India. Chidambaram marks an important stage of evolution of southern Indian architecture. Rajatha Sabha: Rajatha Sabha or silver hall (velli ambalam) at the Minakshi Sundareshwarar temple in Madurai is another important Natarja shrine of Tamil Nadu. Nataraja is shown in a very rare posture here. He is shown his right leg raised and dancing on the dwarf (apasmara purusha) with his left foot. Both the main image of stone (moolavar) and the processional image (utsava murti) in this shrine are in unusual posture. The usual posture of Nataraja is dancing with his right leg placed on the dwarf with his left leg upraised. The change in posture of Nataraja here is linked with the legend (sthala-purana) of this place. It is said that the Pandyan king of Madurai was a devotee of Nataraja and under pressure from a rival Chola king, tried to master dance. But while trying to do so, he realised the difficulty of the task. He was filled with agony to see his favourite deity dancing with his right foot always as he did feel while doing himself. So, he prayed Lord Nataraja to change his posture so that he does not get tired in a same posture. The Lord listened to his request and changed his posture. So, Nataraja is seen dancing on his left foot here. One of the five important shrines of Nataraja can be seen at Madurai in Tamil Nadu. Here the dancing posture of Ambalavanan (Lord Siva) with ten hands can be seen only in the Velli ambalam at Madurai. Here the dance performed by Nataraja is known as Paramananda Thandavam and also as Chokka Thandavam. It is also known as Sundara Tandavam. Tamra Sabha: Another important Nataraja shrine of Tamil Nadu is situated at the Nellaiappar temple in Tirunelveli. The Tamra Sabha or the hall of copper is found here in the vast campus. Here the icon of Lord Siva is made of Bronze and is encircled by a prabha or aura of very attractive workmanship. It is said that the Nataraja image here was originally in the temple of Agnishwaram. Once a fire out broke here and then it was kept on the bed of a river. Later, it was brought to the Nellaiappar temple and worshipped here. Ratna Sabha: The Ratna Sabha or the hall of rubies in Tiruvalangadu is another important Nataraja shrine of Tamil Nadu. It takes approximately two hours from Chennai by road to reach Tiruvalangadu. The Lord here is called Ratna Sabhapati or the Lord of the Hall of rubies. There is a mythical story related to this place and the shrine. It is said that once Siva and Kali had a dance contest. At that time Kali was in a very angry mood and could not be pacified easily. Initially, Kali gave a better performance than Siva. But, later Nataraja (Siva) performed the Tandava dance also known as the Chanda (terrific) tandava and lifted his leg up above his head. Then, Kali out of modesty accepted her defeat. Lord Nataraja won the contest but he also declared that Kali was second to none than himself in dance. There is a very stunning metal image of eight-armed Siva dancing in the Urdlwa Tandava can be seen in this temple. There is also a small shrine nearby and there is another metal image of Kali who is also eight-armed can be seen. Chitra Sabha: The last among the five Nataraja shrines in Tamil Nadu is situated at Kuttralam. The Chitra Sabha or the hall of paintings is found here in Kuttralam, which is famous for its waterfalls. Here the lord Siva is known as the Kuttralanathan. But, all the rituals conducted here are first offered for Nataraja and then for Kuttralanathan. Here, Nataraja is known as Ananda Nata-rajeshwarar or the God of Blissful Dance. Kuttralam has nine Water Falls: 1. Main falls 2. Chitaruvi 3.Shenpagadevi falls 4. Thenaruvi 5. Five falls 6. Orchard falls 7. New falls 8. Tiger falls 9. Old Courtallam falls. Legends on Chitrasabhai goes like – The wedding of Shiva and Parvathi attracted huge celestial crowd at Himalaya that Shiva requested Saint Agastyar to proced southwards to balance the earth, and Agastyar is said to have created the Shivalingam here by shrinking an image of Vishnu, hence the name Kutralam. The Chitra Sabha is located outside the areas of the main temple. It is actually a huge hall built in a typical Kerala style. A huge painting of Nataraja in Tanjavur style can be seen here.

Sunday, January 5, 2020

The Truth About Global Warming - 854 Words

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